Mammad Panda

If clay is the body of ceramics, glaze is the soul — mysterious, expressive, sometimes unpredictable, and always alive with possibility. There’s something magical about watching a raw, chalky surface emerge from the kiln glowing, glassy, and transformed. In those moments, you begin to understand that glazing is more than a finish — it’s a form of storytelling. It’s where science meets intuition, and where every choice you make — from ingredients to application to firing — shapes the final voice of your piece. For many ceramic artists, the journey into glazes begins with commercial options. These ready-made glazes are forgiving and reliable, offering a wide palette of textures and tones: glossy, matte, celadon, raku, crystalline, and more. They’re perfect for beginners, and even seasoned artists return to them for their consistency and ease. But as you grow more curious, something shifts. The desire to experiment takes root. You start wondering: What happens if I adjust the recipe? Add more silica? Reduce the iron? Mix two glazes together? And just like that, you step into the beautiful chaos of glaze chemistry — a realm where minerals, oxides, and fire dance together in surprising and stunning ways. Creating your own glazes […]

One of the most beautiful things about ceramics is this: you don’t need a fully stocked studio to begin — just a bit of space, a few basic tools, and a deep desire to create. Unlike many creative disciplines that require expensive gear or specialized environments, clay meets you where you are. Whether you’re working from a small kitchen table, a corner of your garage, or a shared art space, the journey begins the same way: with your hands, your curiosity, and the earth itself. At the most basic level, your toolkit can be incredibly modest. A sturdy table to work on. A bucket of water to keep your clay moist. A wire cutter, a sponge, and a few wooden or metal shaping tools — that’s it. With just these, you can start building, pinching, coiling, and sculpting. You’ll be amazed at what can emerge from such humble beginnings. These early stages are not just about technique; they’re about forming a relationship with the material, understanding its moods and textures. If you’re drawn to throwing pots or want to expand your skills, a small tabletop or electric pottery wheel is a wonderful next step. And don’t worry — you don’t […]

There’s a quiet kind of bravery in working with clay — the willingness to shape something that might collapse, crack, or completely surprise you. In the world of sculpture and ceramics, trial and error isn’t just part of the process; it is the process. It’s how we learn, grow, and ultimately discover who we are as artists. Unlike many traditional art forms that rely on precision or planning, ceramics asks for something deeper — a relationship with the unpredictable. You can measure your materials and time your firings, but the outcome? That’s often a mystery until the kiln door opens. Every ceramicist knows the heartbreak of a piece that cracks after hours (or days) of careful work. Or a glaze that looked perfect in concept, but comes out cloudy, muted, or wildly off. And yet, within those “failures” lies something quietly powerful: information, intuition, direction. Some of the most striking pieces — the ones that feel truly alive — aren’t born from perfection, but from accidents. A warped edge. An uneven texture. A gesture you thought was a mistake, but turns out to be your signature. These moments remind us that working with clay is a collaboration, not a conquest. […]